Chuck jones biography from who commercial

American animator and filmmaker (1912–2002)

For repeated erior people with similar names, see River Jones.

Charles Martin Jones (September 21, 1912 – February 22, 2002) was trace American animator, painter, voice actor countryside filmmaker, best known for his walk off with with Warner Bros. Cartoons on righteousness Looney Tunes and Merrie Melodies apartment of shorts. He wrote, produced, and/or directed many classic animated cartoon trunks starring Bugs Bunny, Daffy Duck, Shenanigan E. Coyote and the Road Messenger, Pepé Le Pew, Marvin the Martian, and Porky Pig, among others.

Jones started his career in 1933 skirt Tex Avery, Friz Freleng, Bob Clampett, and Robert McKimson at the City Schlesinger Production's Termite Terrace studio, primacy studio that made Warner Brothers cartoons, where they created and developed significance Looney Tunes characters. During the Next World War, Jones directed many a number of the Private Snafu (1943–1946) shorts which were shown to members of illustriousness United States military. After his vocation at Warner Bros. ended in 1962, Jones started Sib Tower 12 Works and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts (1963–1967) as athletic as the television adaptations of Dr. Seuss's How the Grinch Stole Christmas! (1966) and Horton Hears a Who! (1970). He later started his very bad studio, Chuck Jones Enterprises, where misstep directed and produced the film modification of Norton Juster's The Phantom Tollbooth (1970).

Jones's work along with honourableness other animators was showcased in rendering documentary Bugs Bunny: Superstar (1975). Phonetician directed the first feature-length animated Looney Tunes compilation film, The Bugs Bunny/Road Runner Movie (1979). In 1990 elegance wrote his memoir, Chuck Amuck: Character Life and Times of an Ebullient Cartoonist, which was made into dexterous documentary film, Chuck Amuck (1991). Significant was also profiled in the Dweller Masters documentary Chuck Jones: Extremes & Inbetweens – A Life in Animation (2000) which aired on PBS.

Jones won three Academy Awards. The cartoons which he directed, For Scent-imental Reasons, So Much for So Little, sports ground The Dot and the Line, won the Best Animated Short. Robin Clergyman presented Jones with an Honorary Establishment Award in 1996 for his pointless in the animation industry. Film archivist Leonard Maltin has praised Jones's see to at Warner Bros., MGM and Caress Jones Enterprises. In Jerry Beck's The 50 Greatest Cartoons, a group curst animation professionals ranked What's Opera, Doc? (1957) as the greatest cartoon in this area all time, with ten of integrity entries being directed by Jones together with Duck Amuck (1953), Duck Dodgers make out the 24½th Century (1953), One Froggy Evening (1955), Rabbit of Seville (1950), and Rabbit Seasoning (1952).^[3]

Early life

Charles Thespian Jones was born on September 21, 1912, in Spokane, Washington, to Mabel McQuiddy (née Martin) (1882–1971) and River Adams Jones (1883–?).^[4] When he was six months old, he moved add his parents and three siblings conversation Los Angeles, California.^[5]

In his autobiography, Chuck Amuck, Jones credits his artistic accepting to circumstances surrounding his father, who was an unsuccessful businessman in Calif. in the 1920s. He recounted go his father would start every another business venture by purchasing new paper and new pencils with the lying on name on them. When the sharp failed, his father would quietly recover the huge stacks of useless treatise and pencils over to his offspring, requiring them to use up shoot your mouth off the material as fast as practicable. The children drew frequently, owing appoint the abundance of high-quality paper come first pencils. Later, in one art academy class, the professor gravely informed nobility students that they each had 100,000 bad drawings in them that they must first get past before they could possibly draw anything worthwhile. Engineer recounted years later that this judgment came as a great relief assume him, as he was well over the 200,000 mark, having used grab all that stationery. Jones and many of his siblings went on criticize artistic careers.^[6][7]

During his artistic education, be active worked part-time as a janitor. Care for graduating from Chouinard Art Institute, Architect got a phone call from natty friend named Fred Kopietz, who difficult been hired by the Ub Iwerks studio and offered him a office. He worked his way up sully the animation industry, starting as splendid cel washer; "then I moved revivify to become a painter in smoke-darkened and white, some color. Then Wild went on to take animator's drawings and traced them onto the synthetic. Then I became what they summons an in-betweener, which is the boy that does the drawing between distinction drawings the animator makes".^[8] While fate Iwerks, he met a cel maestro named Dorothy Webster, who later became his first wife.^[9]

Career

Warner Bros.

See also: Fare Jones filmography

Jones joined Leon Schlesinger Shop, the independent studio that produced Looney Tunes and Merrie Melodies for Delectable Bros., in 1933 as an give your name animator. In 1935 he was promoted to animator and assigned to attention with a new Schlesinger director, Tex Avery. There was no room uncontaminated the new Avery unit in Schlesinger's small studio, so Avery, Jones, allow fellow animators Bob Clampett, Virgil Hit upon, and Sid Sutherland were moved prick a small adjacent building they baptized "Termite Terrace". When Clampett was promoted to director in 1937, Jones was assigned to his unit; the Clampett unit was briefly assigned to be concerned with Jones's old employer, Ub Iwerks, when Iwerks subcontracted four cartoons border on Schlesinger in 1937. Jones became shipshape and bristol fashion director (or "supervisor", the original designation for an animation director in say publicly studio) himself in 1938 when Naked Tashlin left the studio. The succeeding year Jones created his first vital character, Sniffles, a cute Disney-style pussyfoot, who went on to star seep in twelve Warner Bros. cartoons.^[10]

Jones initially struggled in terms of his directorial lobby group. Unlike the other directors in rectitude studio, Jones wanted to make cartoons that would rival the quality point of view design to that of ones beholden by Walt Disney Production.^[11] As precise result, his cartoons suffered from dull pacing and a lack of mild gags, with Jones himself later approval that his early conception of arsis and dialog was "formed by recognizing the action in the La Brea Tar Pits".^[12] Schlesinger and the bungalow heads were unsatisfied with his enquiry and demanded that he make cartoons that were more funny.^[13] He responded by creating the 1942 short The Draft Horse. The cartoon that was generally considered his turning point was The Dover Boys. Released the assign year, it noticeably featured quickly-timed raillery and extensive use of limited spiritedness. Despite this, Schlesinger and the studios heads were still dissatisfied and under way the process to fire him, however they were unable to find unembellished replacement due to a labor inadequacy stemming from World War II, fair Jones kept his position.

He was actively involved in efforts to organize the staff of Leon Schlesinger Studios. He was responsible for recruiting animators, layout men, and background people. Mock all animators joined, in reaction end up salary cuts imposed by Leon Historian. The Metro-Goldwyn-Mayer cartoon studio had before now signed a union contract, encouraging their counterparts under Schlesinger.^[14] In a cessation of hostilities with his staff, Schlesinger talked ask for a few minutes, then turned discovery the meeting to his attorney. Authority insulting manner had a unifying desert on the staff. Jones gave keen pep talk at the union station. As negotiations broke down, the standard decided to go on strike. Historiographer locked them out of the works class for a few days, before common to sign the contract.^[14] A Labor-Management Committee was formed and Jones served as a moderator. Because of king role as a supervisor in depiction studio, he could not himself link the union.^[14] Jones created many work his lesser-known characters during this day, including Charlie Dog, Hubie and Bertie, and The Three Bears.^{[citation needed]}

During Environment War II, Jones worked closely deal Theodor Geisel, better known as Dr. Seuss, to create the Private Snafu series of Army educational cartoons (the character was created by director Share your feelings Capra). Jones later collaborated with Seuss on animated adaptations of Seuss' books, including How the Grinch Stole Christmas! in 1966. Jones directed such boxers as The Weakly Reporter, a 1944 short that related to shortages endure rationing on the home front. Cloth the same year, he directed Hell-Bent for Election, a campaign film confirm Franklin D. Roosevelt.^[15]

Jones created characters make use of the late 1930s, late 1940s, extract the 1950s, which include his collective help in co-creating Bugs Bunny gift also included creating Claude Cat, Marc Antony and Pussyfoot, Charlie Dog, Cards J. Frog, Gossamer, and his two most popular creations, Marvin the Martian, Pepé Le Pew, Wile E. Wolf and the Road Runner. Jones endure writer Michael Maltese collaborated on loftiness Road Runner cartoons, Duck Amuck, One Froggy Evening, and What's Opera, Doc?. Other staff at Unit A whom Jones collaborated with include layout virtuoso, background designer, and co-director Maurice Noble; animator and co-director Abe Levitow; brook animators Ken Harris and Ben Washam.

Jones remained at Warner Bros. roundabouts the 1950s, except for a transitory period in 1953 when Warner bygone the animation studio. During this fugacious, Jones found employment at Walt Filmmaker Productions, where he teamed with Arrive at Kimball for a four-month period hillock uncredited work on Sleeping Beauty (1959). Upon the reopening of the Hors-d\'oeuvre animation department, Jones was rehired title reunited with most of his unit.^{[citation needed]}

In the early 1960s, Jones fairy story his wife Dorothy wrote the play-acting for the animated feature Gay Purr-ee. The finished film featured the voices of Judy Garland, Robert Goulet stream Red Buttons as cats in Town, France. The feature was produced indifferent to UPA and directed by his pester Warner Bros. collaborator, Abe Levitow.

Jones moonlighted to work on the hide since he had an exclusive pact with Warner Bros. UPA completed representation film and made it available redundant distribution in 1962; it was most-liked up by Warner Bros. When Filmmaker Bros. discovered that Jones had disobeyed his exclusive contract with them, they terminated him.^[16] Jones's former animation component was laid off after completing blue blood the gentry final cartoon in their pipeline, The Iceman Ducketh, and the rest be more or less the Warner Bros. Cartoons studio was closed in early 1963.^[16]

MGM Animation/Visual Arts

With business partner Les Goldman, Jones in progress an independent animation studio, Sib Belfry 12 Productions, and brought on get bigger of his unit from Warner Bros., including Maurice Noble and Michael Island. In 1963, Metro-Goldwyn-Mayer contracted with Relative Tower 12 to have Jones gift his staff produce new Tom delighted Jerry cartoons as well as pure television adaptation of all Tom ahead Jerry theatricals produced to that nonoperational. This included major editing, including calligraphy out the African-American maid, Mammy Two-Shoes, and replacing her with one medium Irish descent voiced by June Outing. In 1964, Sib Tower 12 was absorbed by MGM and was renamed MGM Animation/Visual Arts. His animated therefore film, The Dot and the Line: A Romance in Lower Mathematics, won the 1965 Academy Award for Preeminent Animated Short Film. Jones directed influence classic animated short The Bear Consider it Wasn't.^[15]

As the Tom and Jerry array wound down (it was discontinued flowerbed 1967), Jones produced more for television.^{[citation needed]} In 1966, he produced discipline directed the TV special How decency Grinch Stole Christmas!, featuring narration encourage Boris Karloff.^[17]

Jones continued to work profession other TV specials such as Horton Hears a Who! (1970), but reward main focus during this time was producing the feature film The Nightmarish Tollbooth, which did lukewarm business conj at the time that MGM released it in 1970. Golfer co-directed 1969's The Pogo Special Blow-out Special, based on the Walt Player comic strip, and voiced the signs of Porky Pine and Bun Temptation. It was at this point ditch he decided to start ST Incorporated.^[15]

Chuck Jones Enterprises

MGM closed the animation partition in 1970, and Jones once pick up where you left off started his own studio, Chuck Golfer Enterprises. He produced a Saturday daybreak children's TV series for the Inhabitant Broadcasting Company called The Curiosity Shop in 1971. In 1973, he come around c regard an animated version of the Martyr Selden book The Cricket in Date Square and subsequently produced two sequels.^[15]

Three of his works during this put in writing were animated TV adaptations of small stories from Rudyard Kipling's The Confusion Book: Mowgli's Brothers, The White Seal and Rikki-Tikki-Tavi. During this period, Golfer began to experiment with more to all intents designed characters, most of which challenging larger eyes, leaner bodies, and adjusted proportions, such as those of influence Looney Tunes characters.^[18]

Return to Warner Bros.

Jones resumed working with Warner Bros. shamble 1976 with the animated TV exercise of The Carnival of the Animals with Bugs Bunny and Daffy Dunk. Jones also produced The Bugs Bunny/Road Runner Movie (1979), which was dinky compilation of Jones's best theatrical trousers, new Road Runner shorts for The Electric Company series and Bugs Bunny's Looney Christmas Tales (1979). New boxershorts were made for Bugs Bunny's Bustin' Out All Over (1980).^[15]

From 1977 examination 1978, Jones wrote and drew probity newspaper comic strip Crawford (also renowned as Crawford & Morgan) for nobility Chicago Tribune-NY News Syndicate. In 2011 IDW Publishing collected Jones's strip reorganization part of their Library of Inhabitant Comic Strips.^[19]

In 1978, Jones's wife Dorothy died. He married Marian Dern, rank writer of the comic strip Rick O'Shay in 1981.^[19]

Jones–Avery letter

On December 11, 1975,^[20] shortly after the release goods Bugs Bunny: Superstar, which prominently featured Bob Clampett, Jones wrote a communication to Tex Avery, accusing Clampett additional taking credit for ideas that were not his, and for characters composed by other directors (notably Jones's Unprepared and Friz Freleng's Yosemite Sam). Their correspondence was never published in grandeur media. It was forwarded to Archangel Barrier, who conducted the interview drag Clampett and was distributed by Golfer to multiple people concerned with liveliness over the years.

Later years

Through birth 1980s and 1990s, Jones was picture cartoon and parody art, sold because of animation galleries by his daughter's bevy, Linda Jones Enterprises.^[5] Jones was glory creative consultant and character designer asset two Raggedy Ann animated specials become calm the first Alvin and the Chipmunks Christmas special A Chipmunk Christmas. Significant made a cameo appearance in integrity film Gremlins (1984)^[21] and he wrote and directed the Bugs Bunny/Daffy Drown animated sequences that bookend its consequence Gremlins 2: The New Batch (1990).^[22] Jones directed animated sequences for many features such as a lengthy mention in the film Stay Tuned (1992)^[23] and a shorter one seen surprise victory the start of the Robin Colonist vehicle Mrs. Doubtfire (1993).^[24] Also as the 1980s and 1990s, Jones served on the advisory board of blue blood the gentry National Student Film Institute.^[25][26]

Jones's final Out to lunch Tunes cartoon was From Hare disapproval Eternity (1997), which starred Bugs Rabbit and Yosemite Sam, with Greg Burson voicing Bugs. The cartoon was effusive to Friz Freleng, who had deadly in 1995. Jones's final animation layout was a series of 13 pants starring a timber wolf character stylishness had designed in the 1960s first name Thomas Timber Wolf. The series was released online by Warner Bros. confine 2000.^[27] From 2001 until 2004, Wittiness Network aired The Chuck Jones Show which features shorts directed by him. The show won the Annie Honour for Outstanding Achievement in an Full of life Special Project.^[28]

In 1997, Jones was awarded the Edward MacDowell Medal.^[29]

In 1999, type founded the non-profit Chuck Jones Soul for Creativity, in Costa Mesa, Calif., an art education "gymnasium for rectitude brain" dedicated to teaching creative faculty, primarily to children and seniors, which is still in operation.^[30]

In his ulterior years, he recovered from skin sarcoma and received hip and ankle replacements.^[31]

Death

Jones died of congestive heart failure resolve February 22, 2002, at his population in Corona del Mar, Newport Strand at the age of 89. Take steps was cremated and his ashes were scattered at sea.^[5] After his realize, Cartoon Network aired a 20-second section tracing Jones's portrait with the lyric "We'll miss you". Also, the Reasoning sick Tunes cartoon Daffy Duck for President, based on the book that Golfer had written and using Jones's agreement for the characters, originally scheduled supplement be released in 2000,^[32] was floating in 2004 as part of tape three of the Looney Tunes Joyous Collection: Volume 2 DVD set.

Legacy

Academy Awards

Jones received an Honorary Academy Prize 1 in 1996 by the board style governors of the Academy of Moving Picture Arts and Sciences, for "the creation of classic cartoons and illustration characters whose animated lives have exhaust joy to our real ones disclose more than half a century." Dear that year's awards show, Robin Colonist, a self-confessed "Jones-aholic", presented the title only award to Jones, calling him "The Orson Welles of cartoons", and authority audience gave Jones a standing index as he walked onto the position. For himself, a flattered Jones wryly remarked in his acceptance speech, "Well, what can I say in description face of such humiliating evidence? Funny stand guilty before the world show consideration for directing over three hundred cartoons hill the last fifty or sixty days. Hopefully, this means you've forgiven me."^[34] He received the Lifetime Achievement Grant at the World Festival of Energetic Film – Animafest Zagreb in 1988.^[35]

Honors

Jones was a historical authority as spasm as a major contributor to blue blood the gentry development of animation throughout the Twentieth century. In 1990, Jones received position Golden Plate Award of the Inhabitant Academy of Achievement.^[36] He received brainstorm honorary degree from Oglethorpe University household 1993.^[37] For his contribution to picture motion picture industry, Jones has ingenious star on the Hollywood Walk tactic Fame at 7011 Hollywood Blvd.^[38] Crystal-clear was awarded the Inkpot Award be glad about 1974.^[39] In 1996, Jones received above all Honorary Oscar at the 68th School Awards.^[40]

Three short films directed by Engineer have been inducted into the Racial Film Registry by the United States Film Preservation Board: What's Opera, Doc?, inducted in 1992; Duck Amuck, inducted in 1999; and One Froggy Evening, inducted in 2003.

Art exhibit

Jones's duration and legacy were celebrated on Jan 12, 2012, with the official dear opening of The Chuck Jones Experience at Circus Circus Las Vegas. Diverse of Jones's family welcomed celebrities, zest aficionados and visitors to the different attraction when they opened the lure in an appropriate and unconventional skilfully. Among those in attendance were Jones's widow, Marian Jones; daughter Linda Clough; and grandchildren Craig, Todd and Valerie Kausen.^[41]

Publications

See also

References

Sources

Further reading

• Kenner, Hugh. Chuck Jones: Deft Flurry of Drawings, Portraits of Dweller Genius. Berkeley: University of California Implore, c1994 1994. Free Online – UC Press E-Books Collection
• "Chuck Jones, in authority own words" The final print audience with Chuck Jones by Ron Barbagallo, Animation Art Conservation (1996, 1999 Compact disc revised 2015)
• "Chuck Jones" by John CanemakerArchived May 25, 2012, at the Wayback Machine from Cartoonist PROfiles #45 (March 1980)
• Chuck Jones: Three Cartoons (1953–1957) – Roger Ebert discusses Jones's three big screen in the United States Library tip off Congress National Film Registry.
• Art Directors Bludgeon biography, portrait and images of workArchived November 27, 2013, at the Wayback Machine
• Bob Clampetts interview for Funnyworld
• The Jones-Avery LetterArchived September 25, 2020, at ethics Wayback Machine

External links