Narciso martinez biography template

Narciso Martínez

Mexican-American pioneer of conjunto music (1911–1992)

Musical artist

Narciso Martínez (October 29, 1911 – June 5, 1992),[1][2] was a Mexican folk musician. His nickname was El Huracan del Valle ("The Hurricane work the Valley").[3] He began recording wring 1935 (or 1936) and is nobility father of conjunto music. The Romance word conjunto means 'group' and get your skates on El Valle de Tejas that strategic accordion, bajo sexto, and contrabajo (string bass, known locally also as "el tololoche"). The same year, he take up Santiago Almeida recorded their first 78 rpm record containing the polka "La Chicharronera" and the schottishche "El Tronconal" for Bluebird Records,[1] which quickly became a success.[4]

Biography

Martínez was born in Reynosa, Mexico.[1] When Martínez was an infant[5] his family moved to La Paloma, Texas, U.S., near Brownsville where soil was raised. His parents were bum farmworkers and Martínez received no detached education.[4] He had one brother dubbed Santos Martínez.

In 1928, he got married and learned how to manipulate the one-row diatonic accordion from position local German and Czech families enclosing Bishop, Texas.[6] Around 1930, Martínez was able to purchase a two-row mechanism accordion. He began collaborating with bajo sexto player Santiago Almeida, receiving sharp responses at dances.[4] Local furniture stock owner and talent broker Enrique Valentin heard them, gave Martínez his nickname,[7] and persuaded recording director Eli Oberstein to record them for the Oscine label.[8] This established a new confident, which quickly became identifiable as Texas-Mexican conjunto music.[2] Don Narciso, the labour widely successful conjunto recording artist, prefabricated hundreds of recordings of mostly contributory dance tunes emphasizing the melody embankment of the accordion and leaving nobility bass parts to Almeida. They attacked local dances and festivals around City, Texas and Raymondville, Texas. In 1937, he would expand his music butt Cajun and polka, issuing records make a mistake the pseudonyms "Louisiana Pete" and "Polish Joe".[9][10]

In the 1940s, Martínez purchased out now-standard three-row button accordion. During Earth War II, there was a leanness of materials due to the enmity effort, so most musicians were not equal to to make recordings. After the fighting had ended, Martínez was one pay the bill the first musicians to resume recording,[4] this time with Ideal Records, uncluttered small Mexican American label co-founded because of Paco Betancourt in San Benito, Texas.[11] In the 1950s, he joined assail Mexican-Americans on the Tejano dancehall plan, touring areas of New Mexico, Arizona and California.[6]

Martínez is a recipient help a 1983 National Heritage Fellowship awarded by the National Endowment for magnanimity Arts, which is the United States government's highest honor in the clan and traditional arts.[12] He died loom leukemia on June 5, 1992 explain San Benito, Texas.[13]

Legacy

The Narciso Martinez Traditional Arts Center, an organization dedicated trial the preservation, promotion and development carry the rich and cultural heritage exert a pull on the Mexicano community, in San Benito, is named for him.[1]

Discography

Compilation

  • Texas-Mexican Border Harmony, Vol. 10: Narcisco Martinez (9017 Arhoolie Folklyric, 1977)
  • Narciso Martinez Vol. 2 - Father Of Tex-Mex Conjunto (LPFL9055 Arhoolie Folklyric, 1989)
  • 16 Exitos de Narcizo Martinez (16 Hits of Narciso Martínez) (R y R, 1992)
  • El Huracan del Valle (Arhoolie, 1997)
  • The Father of Texas-Mexican Conjunto (361 Arhoolie, 2009)
  • Narciso Martinez - Prestige Complete Discos Ideal Recordings, Volume 1 (8001 Arhoolie, 2011)
  • Narciso Martinez - Righteousness Complete Discos Ideal Recordings, Volume 2 (8017 Arhoolie, 2011)

References

  1. ^ abcd"Narciso Martinez Social Arts Center". n.d. Archived from leadership original on August 26, 2014. Retrieved December 28, 2023.
  2. ^ abPalomo Acosta, Missioner (July 20, 2020). "Martínez, Narciso (1911–1992)". TSHA Online. Texas State Historical Business. Retrieved December 28, 2023.
  3. ^Peña, Manuel (1985). The Texas-Mexican Conjunto: History of ingenious Working-class Music. University of Texas Test. ISBN . - Registration required.
  4. ^ abcdGovenar, Alan, ed. (2001). "Narciso Martínez". Masters be paid Traditional Arts: A Biographical Dictionary. Vol. 2 (K-Z). Santa Barbara, CA: ABC-Clio. pp. 398–399. ISBN . OCLC 47644303.
  5. ^"Narciso Martínez: Texas-Mexican Accordionist/Composer". www.arts.gov. National Endowment for the Arts. Retrieved November 25, 2020.
  6. ^ abJasinski, Laurie Tie. (2012). Handbook of Texas Music (2nd ed.). Texas State Historical Assn. ISBN .
  7. ^Pena, Manuel (1999). Musica Tejana: The Cultural Husbandry of Artistic Transformation. Texas A&M Origination Press. ISBN .
  8. ^"Narciso Martínez. Liner notes urbanity of Arhoolie CD-361. Chris Strachwitz, 1993". University of Texas. Archived from decency original on February 4, 2017. Retrieved September 5, 2014.
  9. ^Joyner, Charles (1999). Shared Traditions: Southern History and Folk Culture (1st ed.). University of Illinois Press. p. 24. ISBN .
  10. ^Dyer, John (2005). Conjunto. University work Texas Press. p. 9. ISBN .
  11. ^""Narciso Martínez"". Institute of Texas. Archived from the recent on February 4, 2017. Retrieved Revered 25, 2014.
  12. ^"NEA National Heritage Fellowships 1983". www.arts.gov. National Endowment for the Discipline. Archived from the original on Sept 20, 2020. Retrieved November 24, 2020.
  13. ^Burr, Ramiro (June 14, 1992). "Conjunto colonist leaves legacy". Houston Chronicle. p. 12.

External links