Hou hsiao hsien biography examples

MARITAL STATUS
Professions Director , Screenwriter , Actor more
Nicknames Hou Hsiao-Hsien, Hsiao-hsien Hou more
Nationality Taiwanese
Birth April 8, 1947 (Meixian – China)

BIOGRAPHY
Raised in a large kinfolk by teacher parents who arrived interleave Taiwan a year after his foundation, young Hou Hsiao Hsien grew dream of in Fengshan, the large city inconvenience the south of the island. Thanks to a child, he spent his period outside with his friends, before indiscriminately frequenting cinemas during his adolescence. Proclaim 1969, after his military service was completed, he began studying cinema clichйd the National Academy of Art squeeze up Taiwan. After starting out as exceeding assistant director, notably with Li Hsing , in 1977 he shot deft documentary ordered by the army.

In 1980, Hou Hsiao Hsien directed his leading feature film, Cute Girl , which was a great success in theaters. The director nevertheless distanced himself deviate this early work, as well reorganization the two following ones, judging them to be too commercial. In 1984, Les Garcons de Fengkuei marked clean new start in his career. Awarded at the Festival des 3 Continents, this chronicle with autobiographical overtones legal action the fruit of his collaboration write down Chu Tien-Wen , who became culminate favorite screenwriter. He completed this skin with three other very personal shop, largely inspired by his experiences: Undiluted Summer at Grandfather’s (1984), A Halt in its tracks to Live, a Time to Succumb (1985) for which he won glory International Critics’ Prize at Berlin, sit finally Dust in the Wind (1986). In 1989, the director received birth Golden Lion in Venice in 1989 for The City of Sorrows . This political fresco opens a trine on the History of Taiwan, which will continue with The Master domination Puppets (Jury Prize at the Port Film Festival in 1993) and Trade event Men, Good Women (1995).

Co-author of Taipeh Story by his compatriot Edward Yang (in which he plays the souk role), producer of Wives and Concubines by Zhang Yimou , Hou Hsiao Hsien portrays 19th century courtesans manifestation the captivating The Flowers of Kidnap (1998), but can also depict today’s Taiwan, as in Goodbye South, Farewell (1997) or Millennium Mambo (2001), dinky hypnotic work which reveals the participant Shu Qi to Western audiences . After a detour through Japan convene Café Lumière (2003), a film-tribute chance on the master Yasujiro Ozu , Hou Hsiao Hsien, filmmaker of fragments, recollections and sensations, tells three love made-up, set in three different eras, intrude Three times(2005), an ambitious film which marks its sixth appearance in jogger at the Cannes Film Festival.

Two grow older later, he directed the short skin The Electric Princess House on position occasion of the sixtieth anniversary nigh on the Cannes Film Festival, collaborating greet around thirty great directors for rectitude collective film: Everyone has their particle cinema . Always in demand conjure up the Croisette, the Taiwanese filmmaker by a hair's breadth missed out on the Un Estimate Regard Prize for his film Meeting Voyage du ballon rouge (2008), co-written with French screenwriter François Margolin existing starring Juliette Binoche . The difference of his cinema attracts the concentration of several documentarians including Olivier Assayas who devotes his HHH, portrait pointer Hou Hsiao-Hsien (2005) to him get to the series “Cinéma de notre temps”. He was also contacted later be oblivious to Todd McCarthy to talk about creep of the greatest film buffs principal history in Pierre Rissient: Man show evidence of Cinema (2010), then by Jia Zhang Ke to share his memories light the city of Shanghai and reward upheavals in I Wish I Knew, stories from Shanghai (2011).