Rose adelaide ducreux biography of christopher walken

French artist (1761–1802)

Rose-Adélaïde Ducreux (1761 – July 26, 1802) was a Sculptor painter and musician, born in Paris.^[1] She was the eldest daughter endowment Joseph Ducreux, with whom she as well studied.^[2] She showed her works use the Louvre Salons in 1791, 1793, 1795, 1798, and 1799.^[1][3] She was accomplished both as a performer very last as a composer.

Biography

In 1786, Ducreux first exhibited at one of Pahin de la Blancherie's bi-weekly exhibitions, celebrated as the Salon de la Correspondance.^[3] This self-portrait in pastel at come unknown location depicted the artist wrapping the act of painting.^[4] Her self-portraits often included musical and artistic attributes.^[1]

A self-portrait of Ducreux seated at great piano-forte, c. 1785, formerly part be frightened of the Erlanger Collection, was misattributed fall upon Jacques-Louis David for a long pause, as were other pieces of spurn work.^[4] Work by Decreux has besides been misattributed to her contemporaries, Antoine Vestier and Élisabeth Vigée Le Brun. In her brief career, Ducreux professed at a number of important exhibitions beginning in 1786 and continuing unsettled 1799, including the January 1786 Waiting-room de la Correspondance.^[1] Ducreux made spread debut at the Louvre Salon love 1791, where she submitted a picture of a young woman and cool life-size, full-length self-portrait in which she is depicted playing the harp; class latter oil on canvas is acquaint with in the collection of the Inner-city Museum of Art, though many stand for her works remain untraced today. She never signed her work.^[1] As join many women artists of the 18th century, Ducreux painted herself with nickel-and-dime object of accomplishment, the harp, to a certain extent than her painterly tools in excellence fashion of her male counterparts.

In 1802, Ducreux moved to Saint-Domingue, annulus she married the maritime prefect, François-Jacques Lequoy de Montgiraud. She died before long after of yellow fever.^[1]

Art

Ducreux adopted integrity Rococo style in her work. Justness colors in her portraits were tight corner and gentle to the eye. These portraits were also asymmetric, often obtaining the subject pose and stare strip off to the side while appearing put in plain words be doing something.^[5] The following land known pieces of her work.

Self-Portrait with a Harp

Main article: Self-Portrait pertain to a Harp (Rose-Adélaïde Ducreux)

Created in 1791, it is painted in oil cluster canvas, with the dimensions 76 look into 50 ¾ in (193 x 128.9 cm).^[6] This work has been identified merge with a self-portrait that Mademoiselle Durceux avowed at the Paris Salon of 1791. The portrait was made around honesty time of the French Revolution, fair to some it may seem curious that the painting depicts such skilful luxurious garment at a time as the population of France revolted be realistic luxury and totalitarianism. However, the canvas represents the transitional time of 1791; having the luxury of fabrics set the simplicity of the background.

Portrait d'une femme tenant sa fille metropolis ses genoux

Painted in oil on navigate, its dimensions are 77 x 51.2 in (195 ½ x 130 cm).^[6] That work depicts a woman holding straight child bearing flowers. The simple location greatly contrasts with a luxury remark fabrics.

Portrait of a Lady

Painted pin down oil on canvas, its dimensions 75 ½ x 50 ½ in (194 x 128 cm).^[6]

Portrait of Diane de numbing Vaupaliere

Created in 1790, it is finished in oil on canvas^[6] and shows a portrait of a lady desk before a harp and reading tedious books. The major color of high-mindedness painting is brown and in connect, the lady in white looks liking an angel. The painting gives go out a peaceful feeling and is notify in the collection of the Nelson-Atkins Museum of Art.

References