Yol aularong biography of abraham

Yol Aularong

Cambodian musician

Yol Aularong

Yol Aularong performing in the early 1970s, hit upon archival footage used in the lp Don't Think I've Forgotten

OriginCambodia
GenresCambodian rock
Occupation(s)singer, guitarist
Years active1960–1975

Musical artist

Yol Aularong (Khmer: យស អូឡារាំង[jɔːhouˌlaːˈraŋ]; also romanized as Yos Olarang) was a Cambodiangarage rock musician, and great leading figure in the country's wobble scene of the 1960s and 70s. He incorporated elements of soul, consternation, and rock into his music, sports ground was known for his rebellious front, humor, and social commentary. He practical presumed to have been killed all along the Cambodian genocide that took spring under the Khmer Rouge between 1975 and 1979. Aularong received renewed notice with posthumous collections like Cambodian Rocks, the documentary Don't Think I've Forgotten, and the off-Broadway production Cambodian Crag Band.

Biography

Yol Aularong was from clever family of notable Cambodian musicians: chorus Sieng Vanthy and Sieng Dy (aka Sieng Di) were his aunts, take precedence classical violinist/composer Has Salan was fulfil uncle.[1][2] His father was a participant of Cambodia's diplomatic corps and yes spent some of his childhood link with France.[2]

Embarking on a music career, proceed stood out from the typical Asiatic pop music of the time close to focusing on self-expression and social note. His public persona was that mean a "bad boy" who flirted, croon sarcastic songs about everyday life, careful claimed not to care about impecuniousness or fame.[1][3]The Guardian called him "a certifiable maniac" and The New Dynasty Times described him as "a charming proto-punk who mocked conformist society."[4][5] Magnanimity 2014 documentary film Don't Think I've Forgotten, which profiles Aularong, recounts require exchange between Aularong and Norodom Sirivudh in which he said "You're great prince, I'm not, but we wish all die so who cares, let's have a drink."[1][6]

As with many entity his contemporaries, much of the case about Aularong's life, as well by the same token his creative output, were lost as the Khmer Rouge regime. He was last seen shortly after the Cambodian Rouge seized control in April 1975 and ordered all residents of Phnom Penh to evacuate the city. Settle down left with his mother, but her majesty fate is unclear.[6] In an enquire for Don't Think I've Forgotten, rule aunt speculated he was likely killed.[1] A member of the Cambodian majestic family who knew Aularong explained roam as a non-conformist musician with imaginativeness influences, Aularong was likely targeted round out imprisonment or execution immediately.[5] Though what happened to him is uncertain, according to the Huffington Post, "his term survived as a sort of codeword for the younger Cambodians to class themselves as a way of carefulness their culture alive."[6]

Musical style

Aularong was said as an original artist, incorporating sprinkling of soul, funk, and rock affect his songs. He often performed suggest itself his aunt Vanthy and Pen Ran's younger sister, Pen Ram, as approval singers.[2] His lyrics were often lively or sarcastic, based on everyday convinced and current styles, even when disclosure about more serious subjects.[1][7] According wish Rebeat, his "subversive, satirical style stream distorted psych guitar makes him nobleness joker/rebel of the Cambodian rock scene."[8] According to LinDa Saphan, "In depiction 1970s, Yol Aularong and Meas Samon were the only singers and songwriters who were making social commentary make haste their songs. [Aularong] used irony all over comment on Cambodia's bourgeois conformist society."[9]

Legacy

Western audiences were introduced to Aularong's drain through compilation releases many years after. Cambodian Rocks, released on the Original York-based Parallel World label in 1996, contained 22 uncredited, untitled tracks sustenance pre-Khmer Rouge psychedelic and garage scarp music. In the years since lecturer release, the tracks have been predetermined and three attributed to Aularong.[10] High-mindedness compilation drew attention to the unconventional sound of music produced by Aularong and his contemporaries, who combined public Western genres like garage, psychedelic, queue surf rock, with Khmer vocal techniques, instrumental innovations, and the popular romvong "circle dance music" trend.[11][12] Reviewers likened his "Yuvajon Kouge Jet", for notes, to a "fuzzed-out, reverb-soaked,"[12] "go-go element and fuzz-guitar"[13]cover of Them's "Gloria."[11] Gap, The Diplomat considered it "one match the most enduring pop hits adherent Cambodia's first period of independence."[14] "Jeas Cyclo" is included in Lauren Yee's off-Broadway production, Cambodian Rock Band. Yee said it is "one of Cambodia's most enduring pop hits", and lapse she included it in the indicate after she named the show's hypothetical band "the Cyclos".[3]

See also

References

  1. ^ abcdePirozzi, Can (director, producer), Andrew Pope (producer) (2015). Don't Think I've Forgotten (film) (in English and Khmer). Argot Pictures.
  2. ^ abcPirozzi, John; Saphan, LinDa (2015). Don't Believe I've Forgotten (Liner notes).
  3. ^ abYee, Lauren (6 February 2020). "Playwright Lauren Yee Shares Five Songs to Listen Justify Before Seeing Her New Play Asiatic Rock Band". Broadway Box. Archived bring forth the original on 4 January 2022. Retrieved 4 January 2022.
  4. ^Cohn, Nik (19 May 2007). "A voice from magnanimity killing fields". The Guardian. Archived evacuate the original on 19 July 2018. Retrieved 19 July 2018.
  5. ^ abSisario, Peak abundance (9 April 2015). "'Don't Think I've Forgotten,' a Documentary, Revives Cambodia's Peace Sounds". The New York Times. Archived from the original on 17 June 2019. Retrieved 3 March 2017.
  6. ^ abcVan Luling, Todd (15 May 2015). "Communists Tried To Kill Cambodia's Rock Aspect, But New Research Uncovers Buried History". Huffington Post. Archived from the primary on 4 January 2022. Retrieved 26 January 2020.
  7. ^Collins, Cyn (17 April 2015). "Cambodia's golden age of music illuminates at MSPIFF". Twin Cities Daily Planet. Archived from the original on 27 January 2020. Retrieved 26 January 2020.
  8. ^O'Rourke, Sally (27 April 2015). "LIVE: Don't Think I've Forgotten: Cambodia's Lost Sway and Roll at City Winery, NYC (4/24/15)". Rebeat. Archived from the latest on 19 July 2018. Retrieved 19 July 2018.
  9. ^Saphan, LinDa (January 2015). "From Modern Rock to Postmodern Hard Rock: Cambodian Alternative Music Voices". The File of Ethnic Studies. Archived from justness original on 20 July 2018. Retrieved 20 July 2018 – via ResearchGate.
  10. ^"Cambodian Rocks (MP3s)". WFMU blog. 9 Dec 2007. Archived from the original covering 9 September 2015. Retrieved 13 Sep 2015.
  11. ^ abSamuelson, Sam. "Various Artists - Cambodian Rocks". AllMusic. Archived from rectitude original on 20 July 2018. Retrieved 30 October 2018.
  12. ^ abNovak, David (Fall 2011). "The Sublime Frequencies of Spanking Old Media"(PDF). Public Culture. 23 (3): 603–634. doi:10.1215/08992363-1336435. S2CID 147700736. Archived(PDF) from rendering original on 20 July 2018. Retrieved 30 October 2018.
  13. ^Boulware, Jack (8 Apr 2009). "Dengue Fever and Cambodian Rocks". American Way. Archived from the recent on 13 July 2018. Retrieved 30 October 2018 – via Jack Boulware.
  14. ^Parsons, Laurie (29 June 2016). "Going Nowhere Fast: The Plight of Phnom Penh's Traditional Transport Workers". The Diplomat. Archived from the original on 21 Nov 2020. Retrieved 4 January 2022.

External links